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The most successful producer at the time was John Randolph Bray, who, along with animator Earl Hurd, patented the cel animation process that dominated the animation industry for the rest of the decade.Italian-Argentine cartoonist Quirino Cristiani showing the cut and articulated figure of his satirical character El Peludo (based on President Yrigoyen) patented in 1916 for the realization of his movies, including the world's first animated feature film El Apóstol.
In traditional animation the images were drawn (or painted) by hand on cels to be photographed and exhibited on film.Humans have probably attempted to depict motion as far back as the paleolithic period.Shadow play and the magic lantern offered popular shows with moving images as the result of manipulation by hand and/or some minor mechanics.Blackton's The Haunted Hotel (1907) was the first huge success that baffled audiences with objects apparently moving by themselves and inspired other filmmakers to try the technique for themselves. Stuart Blackton also experimented with animation drawn on blackboards and some cutout animation in Humorous Phases of Funny Faces (1906).Inspired by Émile Cohl's stop-motion film Les allumettes animées [Animated Matches] (1908), Ladislas Starevich started making his influential puppet animations in 1910.The physical movement of image parts through simple mechanics in for instance the moving images in magic lantern shows can also be considered animation.
Mechanical animation of actual robotic devices is known as animatronics.
Other common animation methods apply a stop motion technique to two and three-dimensional objects like paper cutouts, puppets or clay figures.
The stop motion technique where live actors are used as a frame-by-frame subject is known as pixilation.
The primary meaning of the English word is "liveliness" and has been in use much longer than the meaning of "moving image medium".
The history of animation started long before the development of cinematography.
From 28 October 1892 to March 1900 Reynaud gave over 12,800 shows to a total of over 500.000 visitors at the Musée Grévin in Paris.